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Saodat Ismailova: As We Fade review – prepare to enter an unforgettably strange psychic dreamspace

culture art art and design exhibitions

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‘Biggest band that ever lived’: inside the Grateful Dead art show

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Naima Green’s striking portraits of pregnancy – in pictures

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‘No party on the planet was safe from Hoggy rocking up!’ Irvine Welsh on his friend Pam Hogg

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The Guardian view on Turner and Constable: radical in different ways

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Unimportant monuments, a bass-player’s buildings and macabre Rego unleashed – the week in art

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Secrets of the cow-skulled scarecrow: did one man’s cruel tales inspire Paula Rego’s best paintings?

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‘I tried to capture her inner world – but couldn’t’: Tom de Freston on painting his wife pregnant and nude

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Turner & Constable review – boiling portentous skies versus two men and a dog

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Who was Caravaggio’s black-winged god of love? What this masterpiece reveals about the rogue genius

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Cupid’s dazzling arrival, Bridget Riley’s rollercoaster and a duel of two masters – the week in art

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Edwin Austin Abbey review – an American flex with lashings of gold and nudity

culture art art and design exhibitions painting

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